I’m sure you
all remember Google’s digital book scanning project. The project, started
earlier this century, aimed to scan every book in existence (just about) and make
them available on line. Publishers and authors went to court over copyright
infringement claims, and they had a strong case. Or at least they did when it
looked like digital formats were a threat to the traditional closed ecosystem
of writing, publishing, selling, buying and reading. That was then, etc.
Today,
things seem a lot different. Now we’re further along in the digital
transformation of print media, and just about everyone recognizes that digitization
of, well, everything, is pretty much inevitable. Just like the music publishers
before them and the movie industry right behind them, book and periodical publishers
have figured out that eBooks are at the very least a whole new way to sell
content. In fact, in a future that’s closer than we all imagine, they may become
the only way.
This is why
the publishers – one half of the suit against Google – came to a settlement
this week, in a news item that barely made the news. At least it got much less
coverage than the start of the lawsuits back in 2005. In an agreement whose
terms were not fully disclosed, the publishers agreed to let Google scan away, presumably
for cash payments and access to the digital content themselves. Google thus
provides a scanning service on older, pre-digital books, so the publishers
don’t have to do the work. Google in turn agreed to let publishers opt out of
the program and exclude their books from being scanned.
Still
hanging over the project however, is one potential show-stopper, and one in
which there is more at stake. That is the author half; they have not settled,
although the publishers action this week now leaves them without a powerful
ally. The authors of older works – e.g. out of print but still under copyright
ownership – face a dilemma. Google will potentially reveal parts of their work
(20%) to the billions of Googlers on the planet, diluting the authors control
and introducing yet another middleman who can take monetary or some
other kind of cut from the profit. But the other edge of this sword is the
benefit authors may receive from the exposure of older work that would
otherwise die a neglected death. All those Googlers are potential new readers,
after all. This part of the issue has a lot of implications.
The future
demise of printed books is not inevitable, but survival is not guaranteed
either. As president of the board of the West Chester Public Library, I am part
of a team that works hard to ensure our institution stays relevant, even while
eBook readers become as commonplace as library cards. Library staffers ‘get it’
when it comes to digital formats, and they’re ready to serve the public’s
demand for the written word in every form that can be provided, including
eBooks. (WCPL has eight color Nooks available for circulation, along with a
large and growing collection of digital books and magazine content.) I believe
the library has a part to play in helping readers transition from the paper and
ink world to the electronic.
So it’s no
secret or surprise that many things are in a transitional state; book publishing
is one of many. The laws of copyright were originally designed for a different
universe than the one we live in now. I support 100% the concept that the
creator should be the first to exercise ownership rights, and be the first to
benefit from a created work, including the digital version of that work. But
there are many paths to how a work may get to that format, at least until the
transition is over. This is just one more disruption to a paradigm we thought
would never change.
6 comments:
The transformation of the music industry and the newspaper business by digital reproduction serves as a model for print media and the publishing industries. However, just as some folks prefer to read a newspaper at the breakfast table in paper format, so will many readers continue to choose books over their electronic devices. Don't you think, Howard?
I hope the publishing industry can still learn from the music industry's mistakes in its transition to digital, including how to manage file sharing and selling content in the digital age.
And, I believe the emphasis should be on the author and the reader. Neither can exist without the other. Currently, it seems publishers are much more concerned with the continued success of their business models, thinly veiled in an ostensible concern for the author. The publishers owe it to their authors and to the readers to be creative and find new models for ebook/content distribution that allows compensation to the authors and the publishers, and gives readers the widest access possible.
Yes, very true -- for our generation. For the next, not so much.
It has been several weeks since I've seen anyone under the age of 25 reading a newspaper or a physical book. When was the last time you did? Yet, I see them reading on their phones and e-readers every day. The authors will have to work out their disagreements with Google because all media is eventually heading towards electronics.
A very timely piece as the Chester County Book Store is in decline and is scheduled to close soon. I agree with NikeBlack - What has taken publishers so long to change their model? CCBS closed their music department years ago. I'm waiting for David Letterman and Ellen Degenerous to hold up a Nook/Kindle when promoting a guest's book...
I was amazed the other day when my wife came home from one of her regular visits to our local library with the anouncement that she had borrowed a "library eBook" that she can read on our own iPad or Kindle. She was able to search the title at the library or on the library website with her card number and download the book directly from Amazon to her device for a two week period. Kudos!
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